Unfortunately I soon discovered these processes also detracted from Live’s best features. At first I vowed to never warp anything, refused to consolidate audio, and basically avoid all the processes that detracted from audio quality. The hardest thing for me was dealing with sound quality issues. I went head first into Ableton and haven’t looked back since – it has not only changed the music I make, but has given me a deeper understanding of timing, envelope shaping and many other things.īUT. I read the entire manual, and was extremely excited about the new possibilities the program offered.

So I switched to doing the majority of my production in Live (still using a lot of hardware).

Shifting around samples for hours until it sounded good, and copying / pasting that same kick drum 500 times started to wear me down. And while this sounded really good, I found that it was extremely difficult to be creative with timing, arrangement, and performance once my audio was recorded into the arrangement. For many years I used Pro Tools as my main DAW – sequencing with hardware and then recording the audio.

How to make bass in ableton live 10 mac